thehobbsgirl (
thehobbsgirl) wrote in
entrancelogs2014-05-19 09:12 pm
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{open} run from the one who comes to find you
Who: Abigail Hobbs & YOU
Where: Anywhere around the mansion
When: The duration of the event (May 17 - 19)
Rating: R for gory imagery, discussion of cannibalism, murder, and trauma (will update as needed)
Summary: Abigail experiences her first event in Wonderland, which leaves her craving acceptance, and forgiveness for her part in her father's murders. As the days go by, though, she begins to also desire violence, and the feeling of power it gives her.
The Story:
Abigail has learned the hard way what she can and can't bear. Looking at her life from a distance, she wouldn't think anyone would be capable of living with what's been done to her, with what she's done, with the compromises she's made in the name of her own survival. But experience has taught her that she can endure it. There are nightmares, there is anger and guilt roiling just beneath the surface of her mind, but she can ignore them.
It's all just this side of bearable - at least, until outside forces see fit to intervene. With the beginning of the event, this plague of Famine churns up the semblance of order she's created for her mind. Suddenly, acutely, she aches for things she knows she can't have (and probably doesn't deserve). Understanding. Forgiveness. A feeling of power and control over herself and her life.
She can't get the faces of those eight girls out of her head. Every time she blinks she sees Marissa's body, naked and dripping blood, displayed as if she were a thing. She can't stop thinking about Nick Boyle, how he'd looked when he stopped breathing, how his body had changed when she dug him up months later.
Since she'd arrived here, the best thing had been her anonymity - the fact that so few people here knew anything about her and what she'd been through. But she finds herself yearning for people who understand what it was like, who can give her some kind of consolation that she is not the monster she thinks she is.
As the days pass and she gets very little sleep, Abigail's emotions shift from self-loathing to rage, from longing to loathing. Instead of thinking about how Nick hadn't deserved to die, she starts to remember how good it felt to kill him. How this time, she hadn't let herself get hurt. She'd taken control of the situation and watched him bleed out, seen the long slit down his belly and known she was the one who put it there. Maybe, just maybe if she felt that again, she could get some sleep...
Where: Anywhere around the mansion
When: The duration of the event (May 17 - 19)
Rating: R for gory imagery, discussion of cannibalism, murder, and trauma (will update as needed)
Summary: Abigail experiences her first event in Wonderland, which leaves her craving acceptance, and forgiveness for her part in her father's murders. As the days go by, though, she begins to also desire violence, and the feeling of power it gives her.
The Story:
Abigail has learned the hard way what she can and can't bear. Looking at her life from a distance, she wouldn't think anyone would be capable of living with what's been done to her, with what she's done, with the compromises she's made in the name of her own survival. But experience has taught her that she can endure it. There are nightmares, there is anger and guilt roiling just beneath the surface of her mind, but she can ignore them.
It's all just this side of bearable - at least, until outside forces see fit to intervene. With the beginning of the event, this plague of Famine churns up the semblance of order she's created for her mind. Suddenly, acutely, she aches for things she knows she can't have (and probably doesn't deserve). Understanding. Forgiveness. A feeling of power and control over herself and her life.
She can't get the faces of those eight girls out of her head. Every time she blinks she sees Marissa's body, naked and dripping blood, displayed as if she were a thing. She can't stop thinking about Nick Boyle, how he'd looked when he stopped breathing, how his body had changed when she dug him up months later.
Since she'd arrived here, the best thing had been her anonymity - the fact that so few people here knew anything about her and what she'd been through. But she finds herself yearning for people who understand what it was like, who can give her some kind of consolation that she is not the monster she thinks she is.
As the days pass and she gets very little sleep, Abigail's emotions shift from self-loathing to rage, from longing to loathing. Instead of thinking about how Nick hadn't deserved to die, she starts to remember how good it felt to kill him. How this time, she hadn't let herself get hurt. She'd taken control of the situation and watched him bleed out, seen the long slit down his belly and known she was the one who put it there. Maybe, just maybe if she felt that again, she could get some sleep...
no subject
So he's in the process of going off to his next adventure when he passes by Abigail in a second floor corridor. As far as corridors go, it's not very interesting, but it's just the pathway to something more exciting.
He grins at Abigail as he passes, unable to keep the words from bursting out as he does, "Hello! Brilliant day, isn't it?"
Granted, she doesn't look as though she's having the greatest day ever, which is disconcerting, but his cheerfulness is just hard to tone down.
no subject
So to see someone else who is clearly having so much fun puts a spark to a fuse that she didn't even know was in her.
"No," she mutters, sullenly - quietly enough that it's possible he'll miss it, if he's not paying attention, "Nothing brilliant about it."
no subject
"Well, that's too bad. Really, I'm sorry you're not having a better day." He's been having a good one so far, and one might even say, he's been having the best day that he can remember since coming to Wonderland. It's all a bit inexplicable, really.
"I don't suppose there's anything I can do, is there?"
no subject
"Not unless you have a time machine," Abigail says, with sarcastic sweetness, giving the Doctor a smile that somehow seems to say now go away.
no subject
"Well, I do have one, though she's not here at the moment, so I suppose I'm not much use. But I can do other things that might help you." She just has to tell him more about what she needs first.
no subject
He really doesn't seem to be giving up all that easily; Abigail looks at him, suddenly more shrewd than short-tempered.
"Let me guess, you're feeling an urgent need to cheer people up, or something like that?" There's scorn in the way she says it, but all the same, she won't deny that talking to him is, just barely, better than wandering around alone entertaining disturbing thoughts. So, with a somehow distinctly teenage sullen reluctance, she admits, "A distraction might be nice, but there's nothing to do around here."
no subject
"No, actually, this is just how I am. It's better being happy than not, I'd say." He doesn't mind the scorn in her voice; he's used to coming up against some nay-sayers, if that's even the right word. "Well, I don't know about that. I find there's a lot of people to talk to, and even more things outside the mansion to see, if you like exploring."
And he loves exploring, in case she hasn't gathered that yet.
no subject
"Better being happy? So what you're saying is you're better than me because I'm not happy?" It's not exactly what he said, but it's certainly what Abigail heard. She has heard plenty of this kind of rhetoric in her time. Nurses and other patients telling her she was the only one holding herself back, making herself gloomy. That she was responsible, essentially, for her own misery. Often enough they packaged it up with suggestions on how to improve herself (because obviously, she must want to), with suggestions ranging from doing yoga to forgiving her father because, apparently, she wasn't allowed to stay angry.
"I hadn't realized that. I guess I ought to try to be more like you, huh?" Her words are saccharine sweet and positively dripping with sarcasm.
no subject
"You should be yourself, that's what you ought to do. There's only one you, after all. The world doesn't need two of me." Or two of anyone, for that matter. What it does need is individuals with different likes, dislikes, and personalities, and that is why he'd never say she should try to be like him.
no subject
Abigail deflates; he sounds genuine, confused, and even as the resentment still stirs in her gut, she realizes how defensive she must song. Best way to spot a guilty conscience: to wait for it to reveal itself. Had she been projecting? It seems likely to her. After all, she hasn't always been this unhappy. There are days she wishes she could find her way back to that happiness, but she doesn't know how.
"Sorry." It's grudging, but she means it. "I think this Famine thing's got me picking fights."
no subject
But helping people, or trying to, is what he does, so if there's anything he can do, of course he'll try.
"Why be sorry? You haven't done anything wrong." He's the one making a bit of a mess of things, so far as he can tell. "What's that, then? What Famine thing?"
no subject
She's keeping a healthy dose of skepticism, but until a better solution presents itself, she's just going to go along with the explanations that are provided to her. All the same, it's ridiculous how surreal her life has become since she's come here. Wanting to reconcile for her snappishness (for the Doctor's simple forgiveness is a drop in the bucket; Abigail wonders if the reason she's feeling so hostile is that she'll lash out, apologize, and then be forgiven), Abigail asks: "Haven't you gotten any weird impulses or cravings like everyone else?"
no subject
Life in Wonderland is a bit surreal, but the Doctor's seen so many things in his travels that it's a bit easy to take things in stride, including the weirdness of the events and also reactions to his, well, rather different way of viewing things that he gets from others. "'Course I have. Well, I think I have, anyway."
He shrugs, not really bothered by anything that's going on. "I just feel like there's so much to do and see around here, and I want to do it all, if I can. And thing is, I know I can. Do it all, that is." The perks of not needing a lot of food and rest, or something along those lines.
He's been running all over the mansion at all hours of the day and night and not really showing any signs of flagging.
no subject
She finds herself jealous of the energy and optimism, even if it's probably temporary. A tiny part of her wonders if she should ask what he plans to do, if he will take her with him to do it. Even if it's something stupid like exploring the woods or going into the maze, it could wrestle her out of her funk.
But sense (or what she thinks of as sense, which is probably closer to paranoia) follows soon after. She doesn't know anything about this guy, not even his name. She should ask that then let him be on his way, check with Hannibal and see if he's dangerous.
"What's your name anyway?"