In his mind Philip shoots the lanky newcomer a less than enthused glare, but proceeds to apologise and state that he doesn't feel like talking today.

In the mansion-altered reality the glare and the apology are dropped in favour of an extra helping of IF YOU KNOW WHAT I MEAN and a complementary wink.

"I'm not in the mood for talking."

At least some of his words remain, but Philip finds it hard to find comfort in that fact.