𝓔𝓵𝓲𝔃𝓪𝓫𝒆𝓽𝓱 (
uncaging) wrote in
entrancelogs2017-05-24 05:43 pm
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Entry tags:
08 🎠
Who: Elizabeth and OPEN
Where: Corridors, then Elizabeth's room, then the lake
When: Backdated to just after the event
Rating: PG, will edit if needed
Summary: Elizabeth struggles to adjust on returning to the Real side, especially after seeing the damage her Mirror has done
The Story:
a) Corridors
Elizabeth doesn't walk as tall as usual, but is almost drawn into herself, arms wrapped around her and shoulders hunched over as though she's trying to make herself as small as possible. She doesn't even realise she's doing it, it's just become automatic ever since she was flung over to the Mirror side. Sometimes, when the Mansion is quiet and the shadows flicker in the candlelight, she becomes convinced that she's still over there, a panic gripping her for a moment until she manages to calm herself. She jumps as she hears footsteps approaching from behind her, her face white as a sheet as she turns, expecting to find a twisted version of one of her friends standing there.
b) Elizabeth's Room
She had no idea what her own Mirror had been up to, but it had never occurred to her that she might come to her bedroom. Now that she sees it, she's not particularly surprised, but her face falls in dismay at the state of the place. Her mattress has had a knife ripped straight through it, and the springs are protruding through the top of it like guts. Her pillow similarly has been torn up, feathers scattered about the room which rise up and float around her as she steps past and disturbs them. Her books are ripped to pieces, pages lining the floor. Her records are out of their sleeves, and they've been drawn on in bright red lipstick, swirls and patterns and here and there a crudely drawn figure. Her record player is still working, though, a song playing out and filling the room as Elizabeth enters, then starting over when it finishes, as though her Mirror has obtained a record of this one song to punctuate whatever message she's trying to send.
c) The lake
She can't stay in the Mansion. She feels sick. The gardens provide her no comfort either, not after spending so many days hiding in the colourless version on the Mirror side. She follows her feet, and they take her to the one new place in the grounds, the one place she knows her Mirror can't have defiled with her presence. Sitting at the edge of the lake, Elizabeth dips her toes in the water and sits, mesmerised by the sun glinting on the water and trying to force her mind to quiet.
Where: Corridors, then Elizabeth's room, then the lake
When: Backdated to just after the event
Rating: PG, will edit if needed
Summary: Elizabeth struggles to adjust on returning to the Real side, especially after seeing the damage her Mirror has done
The Story:
a) Corridors
Elizabeth doesn't walk as tall as usual, but is almost drawn into herself, arms wrapped around her and shoulders hunched over as though she's trying to make herself as small as possible. She doesn't even realise she's doing it, it's just become automatic ever since she was flung over to the Mirror side. Sometimes, when the Mansion is quiet and the shadows flicker in the candlelight, she becomes convinced that she's still over there, a panic gripping her for a moment until she manages to calm herself. She jumps as she hears footsteps approaching from behind her, her face white as a sheet as she turns, expecting to find a twisted version of one of her friends standing there.
b) Elizabeth's Room
She had no idea what her own Mirror had been up to, but it had never occurred to her that she might come to her bedroom. Now that she sees it, she's not particularly surprised, but her face falls in dismay at the state of the place. Her mattress has had a knife ripped straight through it, and the springs are protruding through the top of it like guts. Her pillow similarly has been torn up, feathers scattered about the room which rise up and float around her as she steps past and disturbs them. Her books are ripped to pieces, pages lining the floor. Her records are out of their sleeves, and they've been drawn on in bright red lipstick, swirls and patterns and here and there a crudely drawn figure. Her record player is still working, though, a song playing out and filling the room as Elizabeth enters, then starting over when it finishes, as though her Mirror has obtained a record of this one song to punctuate whatever message she's trying to send.
c) The lake
She can't stay in the Mansion. She feels sick. The gardens provide her no comfort either, not after spending so many days hiding in the colourless version on the Mirror side. She follows her feet, and they take her to the one new place in the grounds, the one place she knows her Mirror can't have defiled with her presence. Sitting at the edge of the lake, Elizabeth dips her toes in the water and sits, mesmerised by the sun glinting on the water and trying to force her mind to quiet.
a]
What? [He asks, looking down at himself - sharp suit, snakeskin shoes, nothing terribly out of place.] Is my face lopsided? I had to get a little creative with some of the mirrors.
[Not something he had enjoyed, but needs must, and the need had certainly been there. He'd ruined a good suit, and he wasn't happy about that.]
You look like you've seen a ghost.
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I'm so sorry, Mr Crowley. I was worlds away.
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Yet, just as uniquely as her powers, there is a certain pleasure in seeing her that Crowley does not often find himself experiencing. He cocks his head, curious.]
Just where were you?
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I'm sorry, it's just, since the Mirrors... [She trails off, momentarily lost in her own thoughts again.] It's just difficult sometimes, you know?
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'Difficult' is a word for it.]
Something like that. I didn't have the pleasure of meeting yours.
[He says the word 'pleasure' like it tastes bitter.]
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[She brightens somewhat as she remembers:] I met yours, though!
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[He almost doesn't want to ask. What could a mirror of himself be like, over on that side where everything is far worse than it could ever be here? He will stop Aziraphale time and time again before the angel utters any word pertaining to there being some scrap or remaining spark of good inside the demon, but in his most private heart of hearts, Crowley can never deny what the truth is.
The truth that he is simply not a very good demon at all.
Crowley nearly doesn't ask. In fact, he nearly says that he would prefer not to know, but curiosity has always been one of his more enduring flaws.]
And what is he like?
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What he can't quite handle is hearing that name come from Elizabeth's mouth.
He makes a noise - something like what - and with his pupils narrowed to slits grips her shoulder a little harder than he means to.]
Don't say that name.
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Wh-- why not? What's the matter?
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It's-- nothing. I-- [Ghk.] Sorry.
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No, no, I'm sorry. I shouldn't have mentioned your Mirror at all. I know I'd be upset if people said mine was nice to them, after what she's done to me.
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It's--
[It's hard, because he doesn't know how to explain it to her. He's never explained it to anyone because the only one who ever cared was Aziraphale, and he already knew. He's never wanted to explain it, not least to a human, because humans were ridiculous and stupid and didn't want to understand.
But, Elizabeth...
Isn't she a friend?]
Can I show you something? In the library.
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Yes, of course.
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It isn't with any haste that he returns to Elizabeth. He reads the words he finds again and again before he places the book down in front of her and jabs his finger at them without speaking.
'And the third was named Gadreel: he it is who showed the children of men all the blows of death, and he led astray Eve, and showed the shield and the coat of mail, and the sword for battle, and all the weapons of death to the children of men. And from his hand they have proceeded against those who dwell on the earth from that day and for evermore.']
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She reads in silence, continually glancing up at Crowley then back down at the page, finding this revelation a little surreal.]
He's you before-- before you fell from Grace.
[She can understand why that would be difficult for him to be suddenly confronted with.]
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[Crowley sits, and somewhat heavily at that. After not hearing that name spoken aloud in six thousand years, it was more than a shock to suddenly find the embodiment of it was walking around as an actual person. Who was this mirror version of himself, exactly? Him before he Fell, or a version of him who never did?
He passes through those thoughts and comes out of the other side feeling faintly nauseated.]
I don't know. That-- [Taptap on the book.] Isn't me, not really. Some of it is the same, but I never led anything.
[Being in the spotlight had never been something he'd sought out. Too many people look at you when you make a spectacle of yourself.]
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None of our Mirrors are really us. I suppose they're might-have-beens. Yours a little more literally than others I've heard of.
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Maybe it was different when a mortal said it. That name.]
They're not supposed to be helpful. You know that, right? The mirrors.
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Well, of course most of them aren't. But I don't think there's any reason they don't have to be helpful if they don't want to.
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Makes you wonder, though, why most of them aren't. They're not made to help us, Liz. Every time they find their way over here, people die.
[She's sweet, but she's naive.]
It's like a clumsy morality scale.
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He still thinks she's wrong, but the girl's got some conviction.]
Like my mirror.
[Who, from what he has heard, seems perfectly (and sickeningly) good.]
I wonder if I'm on the wrong side.
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Oh, please don't say that, Mr Crowley! It wouldn't be the same over here without you, after all.
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All things said and done, and with Zirah on the prowl, he's happy enough that he isn't.]
I'm not a Good person, Elizabeth. If he's an angel, it sounds like the Queen got her wires crossed.
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[ She's not sure how to argue against that. After all, he knows his own nature far better than she does. Although she's certain that there's a difference between Good on a grand scale of heaven and hell and good in the love one feels and the choices one makes. ]
I refuse to believe that just because you're a demon, that means you aren't good. You've been so kind to me.
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Mm, well.
[She's right, in a way. He's never been cruel to her, but Crowley is rarely cruel to anyone without provocation (after which he can get somewhat unnecessarily dramatic).]
I'm not Good. With a capital 'G'. Kind of the whole point of being a demon. That doesn't mean I have to be... [Here, he waves a hand vaguely.] Uncivilised.
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You are completely hopeless. [He says without venom.] But I can see there's no changing your mind. Just remember, not all demons are going to be as civilised as I am.
[That is, some of them might happily use her instinctive lack of wariness to their advantage. Crowley finds he doesn't want to be responsible for that.]
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c;
You sure it's safe to do that? [ He's eyeing the lake with some measure of concern. It's a fairly new addition to Wonderland and who knows what could be swimming in it. ]
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It looked so peaceful. Though I suppose it's too much to hope that the addition of this place is to give us something of a respite.