It may very well be the worst thing that's ever happened to you! | OPEN MINGLE

[vitaelamorte]

Who: EVERYONE!
Where: EVERYWHERE!
When: Friday October 27th - Tuesday October 31st
Rating: PG-13, warn if you're gonna go higher!
Summary: A catch all for the Horrible Memory Truth Event!
The Story:

For the duration of this event, everyone's entire room will be replaced with a memory playing on loop. They will likely recognize the moment as soon as they see it – it is a moment they remember as the worst moment of their entire lives. It could be a memory from home or something that happened in Wonderland. Lengths of the memories will vary, but they will find that these are not memories they can merely watch – they can step into these memories and attempt to make changes to them, and the memories will be long enough that they have time to make changes (though no more than 24 hours). However, anyone who tries will find that it is futile. No matter what you do or how hard you try, the outcome is always exactly the same somehow. No changes you make will prevent that horrible outcome. It just happens over and over and over again no matter what you do.

On top of that, perhaps complicating any attempts to make changes, everyone will be forced to be honest for the duration of the event. No lies or half-truths are allowed, and filters will be gone for the entire five days. If something bothers someone then they will blurt it out, regardless of whether or not it hurts someone's feelings, and no one will be able to simply keep quiet when they have something to say. They must be truthful and honest with every word they say.

This is a catch-all log for all of your Worst Memory needs! Please mark your threads clearly in the subject line with your character's name and Room Number + Floor for character rooms, or just location if you're making a top level for a public place in the mansion (like the tea rooms or the kitchen) so people can see if there's already a thread available. And here's the plot post if you need it!

Have fun!

Comments

[burntvideocassette]

[Leave him be.]

[He does. He stands there at the door, still gripping the frame, still rooted to the spot. He lets Tim go.]

[It's wrong. He shouldn't give up this easily. He'd be dead if he gave up this easily. He's making a mistake. This is how the case dies; this is how he gets months switching hotel to hotel to hotel aimlessly while he knows they're one step ahead. He knows they're watching. He's losing ground. He can see the messages piling up, scolding him for letting Tim run. They need answers. They need answers, and who is he to place Tim's comfort over the needs of hundreds of thousands of others?]

[This used to be easy. It used to make sense. Package of zipties and a flipknife. You'll make him talk.]

[He's got the camera. The liar didn't steal it away this time.]

[His eyes dart along the corners of the theater. Too much room, and yet not enough. It's not right. It's not right.]

[He's got his eyes, but he seems to have lost his voice. There's a network here, but no good way to broadcast. The archive's useless, and he's useless without the archive.]

I need the channel.

[Does that make sense? He's sure it does.]

Tim's not important to me right now.

[punful]

[Sans leans back against the doorframe next to Jay, letting his eyesockets slide closed. This has all gone to shit in record time.]

i'm tired.

[He has no idea what Jay means by "channel," and he doesn't care. If he wants the TV, he can have it.]

i'm...gonna go see how much of this event i can sleep through. let's, uh. maybe see if we can do this again in the future. if we all don't hate each other by the time this is over.

[With that, without waiting for an answer from Jay--who seems pretty out of it, anyway--Sans gives Clem a parting nod, and leaves.]

[shorthair]

( Clem nods back to Sans even as she folds her arms across her chest to survey Jay now with a wary look since she- she doesn't know what he's even talking about.

She considers leaving. She thinks maybe she should, maybe she'll just make this worse since she doesn't know how to do any of this, but she's at least got to make sure of- of something before she heads through that door. )

...Jay?

[burntvideocassette]

[Sans is gone now, too. Running out of chances, running out of time to...to what?]

[He hears Clementine say his name, and he twists to face her, holding the camera up over his eyes. Fallible human things.]

Hm?

[She's small. Could be overpowered if necessary, as long as she doesn't have a weapon.]

[He doesn't think she has a weapon. She's not moving like she wants to hurt, and she doesn't have any secrets. None useful to him, anyway.]

[Jay blinks.]

Does it feel cold in here to you?

[shorthair]

( Clementine doesn't know what the hell is going on, but she recognizes the shift has gotten worse. She's always armed with multiple weapons.

There's never a time in her life she doesn't have a weapon on her even when she's sleeping.

She doesn't know what's happening, but her guard's up immediately in any situation where she's confused especially when another person is involved, because people are unpredictable. This is even more unpredictable than normal. She takes a step back and then another, making her way to the exit. She's always self serving in that sense. She cares until it threatens. Her expression shifts to something guarded. )

No.

What the hell's going on with you?

[burntvideocassette]

[She steps back, closer to the door, ready to run. She's scared.]

[Don't be scared, please.]

[She asks, and he has to answer.]

I'm not sure. Doesn't feel right. You're not...you're not who I'm looking for.

[shorthair]

( There's a pause then.

Clementine stays near the door. Her arms folded across her chest. )

You're looking for someone specific.

( It's less of a question, more of a statement. She has no idea who he might be looking for. It hardly sounds like Jay even knows. )

Are you okay?

[burntvideocassette]

[He stares at her image on the viewfinder. Is he okay?]

[The event steps in. Reluctantly, he shakes his head.]

Feels better. But feels like something's gone weird to make it that way, because I'm not...used to better.

[He slurs slightly when he speaks, though his movements are quick and precise.]

I'm looking for, for what Tim knows. 'Cause he's a liar, but not right now. [His eyes dart to the door, and the camera follows.]

[shorthair]

( Clementine's gaze narrows. She's used to a slurred voice meaning someone who's drunk, but he hasn't been drinking, and he's moving so carefully. She doesn't know what the fuck to make of it, but she also doesn't feel safe.

She's warring with those survival instincts that still ended in her death and the knowledge that sometimes it has to be about more. It has to be about gaining information to save someone later- to save yourself later. )

What the hell will knowing do? Why does it matter if someone lies?

[burntvideocassette]

Because I have to--I have to tell people.

[That's what he does. He observes. He reports. He spreads--]

[--information.]

[Right?]

If I don't, I--

[What happens? What happens if he stops?]

[It will hurt.]

[shorthair]

( Clementine doesn't understand. She can tell he feels this is- It's some kind of need, but she doesn't understand why.

He doesn't even seem to understand why.

What in the hell is all this? Is this how those other people died? They got wrapped up in this need to tell and they stopped and then they were killed? )

Someone hurts you if you don't?

[burntvideocassette]

No, it's not, it's not that simple, I--

[Is it that simple?]

[What the hell is he saying?]

[He has to explain why, which means he needs a reason, and just...stopping for a second is enough to make things feel wrong. What's he doing? Tim's gone--he let Tim go, and now he's talking to Clementine, and this is Clementine, the kid who saved him and died, the one who wanted to watch monster movies, the one who talked to him about evil trees--]

[He's struck with the intense conviction that he shouldn't try watching Evil Dead again.]

[Why is he doing this? He's in Wonderland.]

[But that means he has to tell the truth.]

Look, I'm scared if I don't know what's out there, I'll be in more danger from, from whatever the hell it is. Back home, there was a guy--at least one--who wanted Tim and me and some other people dead, and if I didn't keep moving and if I didn't know where he was, it'd be easier for him to catch us.

[It sounds childish this way, voice quick and panicked. He's scared of monsters. He's scared of that big bully Alex Kralie.]

[But as usual, that's not enough. Wonderland just has to drag more out of him.]

And I'm scared that if I stop finding things out, then, then everything stops. I tried to stop back, back years ago, and it's like I just shut down completely. There was just...nothing. [Functionless.] And I don't want to feel that again.

[shorthair]

( Clementine settles with her back pressed against the door. She still plans on leaving soon. What the hell can she do about all this? Nothing. She fights like hell against physical threats, but this? This is way more fucking complicated than all of that.

It's complicated in a way she doesn't know how to save herself from. )

Back home, you won't know what you find out here. ( there's a little pause. ) You think whatever was back home followed you here to Wonderland?

( cause then that interests her. she wants to know how to defend herself, how to keep herself safe. )

...I don't want you to shut down either.

That sounds scary as shit. It sounds like you'd be seriously in danger.

[burntvideocassette]

I know it has.

[Has he seen it? No. Has it shown up on the tapes? No. Maybe he should qualify that answer.]

I mean, I know it can. It's been here before, and it doesn't...it doesn't just stop.

[Thinking...helps, dumb as that sounds. The static's clearing a little bit. He's feeling more like a human being.]

[Should he?]

[He remembers the look on Tim's face when he bolted. Now he thinks he might know why.]

I don't think I should talk about it now. I'm supposed to, or, or I want to, but I think it's too easy to...to screw things up, like this.

[shorthair]

( Clementine's not used to fighting a force that can't be stopped in some way. She can't stop walkers from happening, but she can kill a walker. She's good at killing walkers. Hell, she's even good at killing people now too when she has to.

She swallows.

If it's been here before, if it can come again, she wants to know how she can keep safe from it, but- )

Okay.

We don't have to talk about it. I just wanted to make sure you'd be okay.

( As okay as possible, he does seem... more like himself now. )

[burntvideocassette]

[Jay nods, lips pulling into something that isn't quite a smile.]

I think I should...I'm gonna go to my room and, and think.

[And then, against his will, the event pulls a little more out of him.]

I haven't felt like this since, since home. And I did some stuff back home that I don't...I want to do again, and that's...I don't think that's...consistent.

[Yeah, that definitely didn't make sense. He rubs at his eyes.]

If you're gonna be alright, I'm...gonna go.

[shorthair]

( It's happening again, she realizes. Whatever happened the first time. He started to seem more like himself for a little while, and then- She's not sure, but it makes her guarded. )

Yeah, I'm fine.

Do whatever you have to do so you don't do that shit again.

( Clementine takes a step back and opens the door for him so he can leave. She keeps her front to him the whole time, watching until he's gone. )

[burntvideocassette]

What--?

[Do what shit? She's clearly seeing something he's not, and he wants to ask, but--]

[But he wants even more to get out of there.]

I'll...I'll go to my room. See you...see you later.