mucked: (☂ call off the search for your soul)
Peggy Carter ([personal profile] mucked) wrote in [community profile] entrancelogs2018-02-01 07:03 am

open » i've got an atlas in my hands

Who: Peggy Carter + YOU
Where: Library, Rabbit Hole Diner, and other locations.
When: Early Feb
Rating: PG-13; will warn for changes in individual threads.
Summary: A catch-all for the first half of the month. There are some open prompts under the cut, but I'm also posting some closed starters in the comments. Hit me up if you'd like something other than the options below.
The Story:
[ DURING february's first few days, peggy pays a few productive visits to the »LIBRARY. she arrives armed with a scrap pressed into her palm. the paper is thin and torn, jagged, from a puzzle book -- folded in threes with precision and hard corners forced onto its asymmetrical shape. while she walks from stack to stack she traces the list's edge with the pad of her thumb. in reality, she doesn't need it. she'd long-since memorizes the book titles recommended to her in order to bring her loosely up to speed with popular science. so the list is a flimsy talisman, maybe, but during these visits it represents purpose. forward momentum.

her reading list is accumulated over multiple days, as though some reflexive defense mechanism convinces peggy to take her time. patience is rarely her strongest suit but she nevertheless makes an effort, knowing that a rush will only leave her rudderless and once again without distraction. to that end, she allows herself to wander off-path. maybe she's come for non-fiction, but she detours through a shelf of thrillers and mysteries and adventure stories.

she touches the spines as she passes them by -- her little list peeking between her knuckles like an ace at the ready. peggy never intends to appear lost but catch her at an odd moment and she might want some help. after all, stark never gave her author names to go with the titles.

LATER, with her coursework assembled, she goes elsewhere to conduct her reading. a great deal of it happens behind her bedroom door as she readjusts to a solitary life now that jane has returned to her husband. but some of it happens at the »DINER. with a whole booth claimed for herself, she sits with the dust jacket removed so bystanders can't easily discern what she's reading stephen hawking's a brief history of time, incidentally. it takes some two or three chapters to really dig into work she couldn't already recognize in passing -- and, on occasion, she offers up an audible scoff when she finds herself confronted with a colourful explanation of scientific discovery which nevertheless somehow manages to neglect howard stark's contribution.

she orders a plate of chips (hot; crispy; salted) and implores the wait-staff to keep them coming. instead of tea, she asks for a milkshake. not a quarter of an hour passes before she's cracked open a journal and uncapped a pen. her annotations are, for the time being, made in pitman shorthand -- and so appear as a series of near shapeless scribbles to those who aren't fluent. even so, there's no secrecy behind that choice. merely a swell of impatience after she'd worked so hard to contain it earlier.

and yet peggy's not averse to interruptions. not exactly. she may not be the most welcoming conversation partner, nor is she particularly fond of idle chatter, but she doesn't chase off interruptions or inquiries.

OTHERWISE, known associates and strangers alike are free to run into her »OUT & ABOUT. whether she's 'commuting' from quarters to library or grabbing a quick breakfast in the dining room early in the morning. she doesn't have a precise schedule (on most days) but she's not impossible to chance upon. she's nearly always immaculate -- from heel to hair-pins. having a project in hand puts her in a better mood. ]
directed: (lot116_2725)

[personal profile] directed 2018-03-28 01:19 am (UTC)(link)
[At first it might seems as if they've reached a lamentable agreement, that the mirror must stay and along with it, all the risks of having their continued time together spied upon. A necessary price to pay, as Rip would much prefer not to blindly set blade to his chin in the hopes that his hand would prove steady, his guesses accurate, and there would be no need to rush to the closet for bandages or sutures.

But Peggy has another notion—another risk, as she calls it, and indeed, Rip finds himself in agreement when he recognizes why she holds out her hand. Others might be wary, given the glass she's just set aside, but Rip and Peggy have been drinking together for months now. She's got an impressive tolerance to say the least, and he possesses no fear that alcohol might bring a quiver to her fingers.

No, the danger here is far more seductive, and in silence Rip turns the brush in his hand to offer it up to Peggy. His gaze meets hers as their fingers brush against one another, the moment not unlike a ritual in its own way. Neither of them is the sort of trust; even after all this time, after all they've shared with each other, they each both also have their secrets. Of course, arguably in matters of physicality their bond has been far more firmly set—yet Rip still finds it almost odd how easy it is to give himself over to Peggy in this manner.

The question of whether or not he should doesn't even form.]


By all means. [And then in his momentary way he smiles, a mere tick at the corner of his mouth before Rip turns to address the mirror. He's thought this through, given how often it does need to be broken: there's a thick canvas tucked within the wall beneath the glass not unlike a curtain set the wrong way, one he unrolls up over the mirror with practiced ease. It snaps into place and covers the panel, catches the fragments a moment later when Rip shatters it, quick and hard punches in strategic spots designed to break the mirror completely.]