Rip Hunter (
directed) wrote in
entrancelogs2018-06-02 01:34 pm
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Did I slip? Know I stumbled. Did I trip? 'Cause I know I fell.
Who: Rip Hunter, Peggy Carter, Sunburst, Freya Mikaelson, Regina Mills [Closed]
Where: The Diner, Freya's Room, Other Places
When: May 30 and June 2
Rating: PG-13 Max probably. Talk of injury, Peggy getting mad, Rip possibly getting something thrown at him again.
Summary: Nachos and Tea: Rip and Peggy's first date following the event, and Rip attempting to get Peggy healing in time for the oncoming war.
The Story:
May 30 - Closed to Peggy Carter
[Wednesday arrives, and typically it would see Peggy traveling down to the second floor to spend her evening-turned-night with Rip, just as it has for months now. Yet there have been exceptions along the way; some unnecessary (if you ask him), some forced by Wonderland itself--and now tonight, as Rip beats Peggy to the metaphorical punch by knocking on her door before she has a chance to leave, bottle of whiskey in hand. His intention is to still have their friendly chatting and their drinking commence as usual; the past event would not steal that from them. Certain other aspects, however, must be sacrificed due to her injury: their more physical activity falls in that column, and Rip thinks the location can as well.
After all, it's only been a week and some days. She needn't make the trip downstairs--or it's return up while dizzy with drink or weighed down with a hangover.]
June 2 - For Freya Mikaelson, Sunburst, Regina Mills, and Peggy Carter
[The Red Queen's announcement does indeed serve as a call to arms for Rip--though not in the way the monarch of Wonderland intends. It hasn't been so long since the prison event; not nearly long enough for Peggy to have healed from her injury. Whether she intends to volunteer or not, the proclomation makes it clear that war is coming, and likely soon.
Desperate times, as they say, and Rip wastes little time before he reaches out to certain contacts. Although it is not a method he has specifically employed before, given his background and reliance on technology, Wonderland has made him quite the beggar when it comes to what Rip is used to. Stripped thus of his typical choice, he sways to the other side of the pendulumn: magic, and those practioners he's managed to forge bonds with during his time in Wonderland.
Thus, Sunburst, Regina Mills, and Freya Mikaelson all receive the following text:]
I'd like to speak to you regarding what you know of healing magic.
[Of course, there is a notable person missing from the list of those he's contacted: Peggy, it would seem, gets no say in the matter of her own healing.
Why would she need to? There's only one way Rip can allow this to end, after all.]
Where: The Diner, Freya's Room, Other Places
When: May 30 and June 2
Rating: PG-13 Max probably. Talk of injury, Peggy getting mad, Rip possibly getting something thrown at him again.
Summary: Nachos and Tea: Rip and Peggy's first date following the event, and Rip attempting to get Peggy healing in time for the oncoming war.
The Story:
May 30 - Closed to Peggy Carter
[Wednesday arrives, and typically it would see Peggy traveling down to the second floor to spend her evening-turned-night with Rip, just as it has for months now. Yet there have been exceptions along the way; some unnecessary (if you ask him), some forced by Wonderland itself--and now tonight, as Rip beats Peggy to the metaphorical punch by knocking on her door before she has a chance to leave, bottle of whiskey in hand. His intention is to still have their friendly chatting and their drinking commence as usual; the past event would not steal that from them. Certain other aspects, however, must be sacrificed due to her injury: their more physical activity falls in that column, and Rip thinks the location can as well.
After all, it's only been a week and some days. She needn't make the trip downstairs--or it's return up while dizzy with drink or weighed down with a hangover.]
June 2 - For Freya Mikaelson, Sunburst, Regina Mills, and Peggy Carter
[The Red Queen's announcement does indeed serve as a call to arms for Rip--though not in the way the monarch of Wonderland intends. It hasn't been so long since the prison event; not nearly long enough for Peggy to have healed from her injury. Whether she intends to volunteer or not, the proclomation makes it clear that war is coming, and likely soon.
Desperate times, as they say, and Rip wastes little time before he reaches out to certain contacts. Although it is not a method he has specifically employed before, given his background and reliance on technology, Wonderland has made him quite the beggar when it comes to what Rip is used to. Stripped thus of his typical choice, he sways to the other side of the pendulumn: magic, and those practioners he's managed to forge bonds with during his time in Wonderland.
Thus, Sunburst, Regina Mills, and Freya Mikaelson all receive the following text:]
I'd like to speak to you regarding what you know of healing magic.
[Of course, there is a notable person missing from the list of those he's contacted: Peggy, it would seem, gets no say in the matter of her own healing.
Why would she need to? There's only one way Rip can allow this to end, after all.]
no subject
[She'll be sure to pull all the ingredients together tonight.]
no subject
It’s the lie that gets Peggy downstairs—and the truth that makes them a touch late, given that they spend several minutes arguing outside of Freya’s door. In the end Rip decides to be honest with her, and gets a share of grief and anger in exchange. She’s affronted that he would reach out to his sources; she doesn’t trust his discretion, or his taste in contacts, apparently.
She loathes the idea that he would think she needs to be so cared for—that he would bring in others, for that purpose.
Needless to say, neither of them is exactly happy by the time one of them knocks. But the best he could have hoped for seems to be set: Peggy’s not said no to the attempt, and Rip in the end can live with that.]
Good morning, Miss Mikaelson. [His grin is tight, brief, and just polite enough to meet muster.] So sorry we’re late. We got a touch delayed, I’m afraid.
no subject
It's fine. Please, come in.