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nascensibility) wrote in
entrancelogs2015-02-16 06:54 pm
[CLOSED] spare a listen for a helpless fool
Who: Evelyn O'Connell (
nascensibility), Philip LaFresque (
radiopalkiller), Sam Winchester (
ofletters), Dean Winchester (
ganking)
Where: 5th floor, Rooms 013 & 499
When: February 16th
Rating: PG-13+ for Dean's filthy mouth
Summary: Having not taken kindly to a holiday confession, Evelyn seeks asylum where she can get it.
The Story:
Philip-
I'm changing rooms for a little while. May I come see you some time today?
-Evie
[Her thumb hovers over the little SEND button for a long moment, wondering whether he'd care to know and, if he did, what sort of response her explanation would garner. It's nothing, really, just a change of scenery. Well, that and the man with whom I've been having an affair has been lying to me for months and I thought some self-enforced distance might do the trick. Pass the honey for the tea, would you?]
Mmh.
[The message delivers and she tucks the communicator away with a small sound of frustration, gazing across her room at the camera on her desk. Engaging in a staring contest with an inanimate object not being on the day's agenda she moves across the little parlour, snatching the contraption up and shoving it into a drawer.
Out of sight, out of mind.
...which is a perfectly nonsensical aphorism when held up to her intentions, her decision to take several steps (and building levels) away being the result of her proximity to a particular resident of the first floor. Evelyn needs space to breathe, to think, to...to channel the anger and hurt into something else until she can decide how she wants to move in a way that isn't nauseating.
The sensation is very much like being a bird baffled by the reflection on a window, dashed against the glass and lying on a strange patio. There is the off-chance that someone might wander by, scoop it up and put it in a tissue-lined hatbox with holes poked in the top, but Evelyn has never been the sort of person to wait around for help to come. A neutral, warm, safe place is something acquired by asking.
Evelyn pulls on a jumper and several minutes later sees her knocking on Sam's door, hoping for a hatbox.]
Where: 5th floor, Rooms 013 & 499
When: February 16th
Rating: PG-13+ for Dean's filthy mouth
Summary: Having not taken kindly to a holiday confession, Evelyn seeks asylum where she can get it.
The Story:
Philip-
I'm changing rooms for a little while. May I come see you some time today?
-Evie
[Her thumb hovers over the little SEND button for a long moment, wondering whether he'd care to know and, if he did, what sort of response her explanation would garner. It's nothing, really, just a change of scenery. Well, that and the man with whom I've been having an affair has been lying to me for months and I thought some self-enforced distance might do the trick. Pass the honey for the tea, would you?]
Mmh.
[The message delivers and she tucks the communicator away with a small sound of frustration, gazing across her room at the camera on her desk. Engaging in a staring contest with an inanimate object not being on the day's agenda she moves across the little parlour, snatching the contraption up and shoving it into a drawer.
Out of sight, out of mind.
...which is a perfectly nonsensical aphorism when held up to her intentions, her decision to take several steps (and building levels) away being the result of her proximity to a particular resident of the first floor. Evelyn needs space to breathe, to think, to...to channel the anger and hurt into something else until she can decide how she wants to move in a way that isn't nauseating.
The sensation is very much like being a bird baffled by the reflection on a window, dashed against the glass and lying on a strange patio. There is the off-chance that someone might wander by, scoop it up and put it in a tissue-lined hatbox with holes poked in the top, but Evelyn has never been the sort of person to wait around for help to come. A neutral, warm, safe place is something acquired by asking.
Evelyn pulls on a jumper and several minutes later sees her knocking on Sam's door, hoping for a hatbox.]

text;
text;
I need space.
text;
I'll leave you alone.
action;
But, there it is. Knock knock. Minnie gets there first, slow and attentive, sitting near the door and glancing back as if asking permission. Sam, smiling affectionately at her, scoops up the little dog and pulls open the door. ]
Hey! What's-- [ Something's up. He doesn't know about her conversation with Will or about what she's learned, but he can read faces, detect little tics. ] ... You okay?
action;
She never did have a very good poker face.]
Erm...no. No, I'm-
[Evelyn smoothes her hands over her face and then down the sides of her neck, huffing.]
I can't think of any other way to say it, so I'll just- I'll just come out with it, then: this is terribly awkward of me and you have my most- my most sincere apologies, but I'm moving rooms at the moment and wondered if it would be a frightful imposition to stay with you - just for a day or two, mind, I- I wouldn't get in the way, but something's come up and...and I just needed a...safe place.
action;
[ Stunned and answering out of complete instinct, Sam steps aside to let her pass. His mouth is slightly open in stark confusion and it actually takes him a minute to move from where he's planted. ]
What happened? [ Question one. He looks very hard at her face, at her conflicted, frantic expression. Thinks over her words, tries to make some sense, any sense, out of them. ]
Are you okay? Are you-- Hurt?
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Were that the case, she would not have moved rooms, spoken to Philip, walked to Sam's door.]
No,
[Evelyn replies out of reflex, accustomed to employing denial and brushing off bad feelings in the hopes that the subject will change to something else, like the weather, or the current political climate in Germany.]
No, it- I'm fine. [A beat.] I mean, I'm not fine, but I'm fine.
[Sensing that her redundant and vaguely homonymic foray into her current state of being is not exceptionally helpful, Evelyn decides to stop beating around the bush - the very thing she despises - and finally drags her gaze up (and up, and up, Sam is very tall).]
This- ...peripherally, this has...something to do with Dean. [The implication being that she would like to kill two birds with one stone.] Could you call him here?
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When he hangs up, Sam clears his throat and looks back at her, expression strained. ]
He's on his way. Can I-- Do you want anything? Water, or--
[ Minnie patters around their feet, cocking her head at Evie. ]
D'you want to sit?
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It has been some time since she last felt torn in two, like tattered scraps of a whole she's not certain she recognises anymore, and Evelyn does not relish it.]
Please,
[she replies demurely, fiddling anxiously with her fingers, resisting the urge to stoop to pick Minnie up like some kind of toy animal you win at the village festival.]
And...some water, if it's not too much trouble.
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Alright, so where's the fire? [ excuse him, he's just gonna step inside, and--
oh. dean spots evie, coming to something of a halt, both brows raised as he stares at her, then at sam... aaand back to her again. did he interrupt something? ]
Uh, hey, Evie.
[ something's wrong here. ]
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Dean's greeting is therefore met with a subdued:]
Hello, Dean.
[Loathe to own up to her mistakes this particular encounter is bound to besmirch what little respect one particular Winchester had for her, and perhaps decrease that of the other.]
I needed to talk to both of you, it's- [It's making her stomach lurch, actually.] -it's very important.
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[ He casts Dean a little look as if to say something bad's happened, but doesn't speak to his brother aloud. Not yet. They need to hear it first from Evelyn before coming to any conclusions. ]
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it sits so wrong with dean, to see her like this, but his voice is calm. ]
Whatever it is, you can tell us.
[ one step at a time and all, they'll deal with this in whatever way she wants them to, and in whatever way will help her. ]
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[To Dean first, the admittance coming freely out of the gate.]
You, and Crowley...and John, and Philip. Lacking evidence I didn't want to believe it and it was only in the last month or so that I took the time to analyse what I knew.
[And what she didn't.
I don't want this to end up being an I told you so moment later, alright? Isn't that what Dean had said, back in October? The nauseating sensation of being wrong left Evelyn a long time ago, supplanted by a malaise of anxiety that there might not be a motive outside of a show of dominance.]
Will called me, said that he needed to speak with me. He said- [Here Evelyn fumbles, fingers tightening briefly on her glass before she relaxes with a steady, measured exhale.] -he said that he's known it was Hannibal since the first murder. That these murders were...exactly the same as the ones he had been framed for back home.
[Not in so many words, but she understands his roundabout manner of speech, comprehended the meaning behind the confirmation that devastated her so completely.]
He was complicit.
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(the second link is nsfw)
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text;
Four words in, and already Faraday's leash is getting pulled in further. Already his steps are turning back towards the mansion. His mind generates a comprehensive list of his own relocations, plus reasons thereof: Set into that context her message is all but foreboding a catastrophe. ]
Anytime. I'm just getting back from the hills.
[ Philip thinks back to the last day he reliably saw her alive, and calculates how many deaths might fit into that time. Message sill unsent his need to know everything at once struggles with the courtesy of letting the story unfold at Evelyn's pace. ]
Do you need anything? Which room is it now? What happened?
[ Courtesy is in poor shape that day. Philip sends his answer, and walks briskly into the entrance hall. ]
text;
Part 1 is innocent enough, Part 2 is a series of questions whose urgency she can feel rippling through the phone and up her arm. Evelyn shivers, tapping out a reply:]
Fifth floor, room 10. I don't need anything, but thank you for asking. I'd rather tell you in person.
[Aware that he would prefer knowing now rather than five minutes from now, Evelyn frowns a little and types again as her tea leaves begin to steep, sensing where his concern might find a crack and expand the worry exponentially.]
I haven't lost a life. I just...needed to move.
text;
Fair enough. I'll have tea ready in a minute.
[ And if the bar proximity of her latest locale of choice says anything about the demand for refreshments stronger than that, well, he expects the perpetual availability of those implied, just by visiting his room. ]
text; -> action;
[She would have been happy to invite him but she appreciates the alternative just as much, poking her head out of her door to ensure no one is down the hall (keeping her new quarters a relative secret is preferred, if only for a little while).
Room 499 is approached with slight trepidation and two knocks, Evelyn lacing her fingers together in front of her and trying not to fidget.]
action;
Come in.
[ A sharp whistle calls Faraday back, and she follows, takes her place next to the couch and there - in that regard much like Philip - eagerly waits for Evelyn to take a seat. ]
Tea's ready, let me know if I can get you anything. Something stronger, anything else...
action;
Lowering her hand she steps inside and moves to the couch, lacing her fingers in her lap as she sits. Faraday, who nudges for a petting, is indulged long enough for Evelyn to formulate a half-decent reply.]
Tea is...fine.
[She looks over her shoulder at him in the little kitchenette, the man with whom she has shared so many of her secrets and been gifted with secrets in return, the man who knows her better than anyone else in Wonderland, and not simply because they both suffer from an excess of curiosity.
Oddly, despite everything, Evelyn is nervous to admit how very wrong she was to him, specifically. She should know better by now.]
...you can ask me, Philip.
action;
Christ, I thought I'd give you a minute first.
[ It comes easier, if only a little, now that he knows she's not freshly risen from the dead. Philip throws Faraday a bone (the literal chew treat kind) to encourage some distance. While she takes her spot in the corner Philip takes his in the armchair, tea set down in front of him.
Pause.
Breathe.
Go. ]
What happened?
action;
I had a row with Will.
[It is the easy reply, the simplest, but one which she has to elucidate so as to avoid any assumptions. Her gaze drifts toward the tea setting, settling somewhere between the sugar bowl and the lemon slices.]
...do you remember asking me if I thought he was hiding something from me?
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(He'd argue it an odd problem to bring to his doorstep, that's what.)
The theory abandons itself fast, faster still when she reminds him of their New Year's celebrations, and questions he stumbled into by accident far more than suspicion. Philip nods, and stops himself from reaching for a cigarette. ]
You said he was just being roundabout.
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Whether that sentiment has changed is up for debate; he's lied to her, now. He might have been lying to her then.]
I know what I said,
[she replies tiredly, reaching for a cube of sugar and dropping it into her cup. She rubs the remaining granules between her thumb and forefinger, absorbed in the action for a long moment.]
He came to tell me that he's known. He's always known, he knew it was Hannibal before either of them arrived here.
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The image of a co-conspirator comes to mind readily, but if that was the revelation of the day he suspects that more than a row would have been in order. Amidst haywired processing he slowly shakes his head, in an effort to gather the thoughts fit for sharing. ]
He kept that from. He kept that from everyone, why? Why--
[ --actually, never mind that. Another of those headshakes. Christ, he's sorry. ]
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