Clara Oswald (
bossily) wrote in
entrancelogs2013-06-19 06:06 pm
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I'm trying not to sleep
Who: Clara & anyone! (totally open)
Where: Around the mansion
When: The week after the shadow event
Rating: TBA
Summary: When you have a terrible shadow event, it's time to stay busy to forget about it
The Story: Clara is beyond humiliated.
She's lost a great deal of her pride, she's fractured almost every single relationship she's formed in her time here, and she's at a loss as to what she needs to do to make herself feel better. So the best solution in her mind is simply not to think about it and stay busy. She can't act like any of the things her shadow said never happened, of course, but she doesn't have to linger on it. There's too much hurt there for her, and it's best to just build up some walls on the inside and close it off and away. And sleep? Forget about it, there's way too much time to have thoughts loiter on everything that went wrong, or have pesky dreams slip in, and that's definitely not something she wants to have happen.
On Tuesday, she has plans with both Luke and Owen, and despite not being up to her usual spirited nature she's grateful for the chance to interact with the both of them without shadows present.
On Wednesday, she thinks she has self-defense lessons but also spends a good portion of the day sprawled out in the sun at the beach. She's not usually a beach dweller and she doesn't usually sunbathe, but she thinks it's the perfect place to read through some Jules Verne. Journey to the Center of the Earth was a childhood favorite, and it makes her feel safe and nostalgic so she's grateful that the library has a copy on hand just waiting for her.
On Thursday, she spends her time out in the gardens, working on both drawing and painting. Her lessons with Whale have left her eager to continue practicing, working on a drawing of white roses which she has every intention of painting red by the end of the day. If someone happens across her, she's more than likely to grab hold of them and convince them to pose for her so she can attempt a more complicated subject.
Friday finds Clara holed up in the library, a stack of books on space piled up around her. She's sitting cross legged on the floor, and the pile of books towers above her, constantly wobbling as if they're about to topple at any given second. There's fiction, non-fiction, and even some picture books at her side. She started the day out reading for research but now has an old, worn copy of The Little Prince in hand. It brings back memories of her mother, and those are always good to hold onto when she's having a difficult time.
The rest of the weekend is spent either at the swimming pool or her room. The pool she's never really used before, so it's nice to just float around and stare up at nothing in particular. It's a funny feeling, just aimlessly floating, doing nothing for hours on end. She almost feels guilty for it, but it's a nice break from being cooped up in the library. When she's in her room she's working on painting her walls, trying to complete constellations for the night sky she's painted across every single wall. She's not much of an artist, but this has given her something to do in her time here, and the project is almost complete. There's even a little TARDIS painted right up above her bed.
Where: Around the mansion
When: The week after the shadow event
Rating: TBA
Summary: When you have a terrible shadow event, it's time to stay busy to forget about it
The Story: Clara is beyond humiliated.
She's lost a great deal of her pride, she's fractured almost every single relationship she's formed in her time here, and she's at a loss as to what she needs to do to make herself feel better. So the best solution in her mind is simply not to think about it and stay busy. She can't act like any of the things her shadow said never happened, of course, but she doesn't have to linger on it. There's too much hurt there for her, and it's best to just build up some walls on the inside and close it off and away. And sleep? Forget about it, there's way too much time to have thoughts loiter on everything that went wrong, or have pesky dreams slip in, and that's definitely not something she wants to have happen.
On Tuesday, she has plans with both Luke and Owen, and despite not being up to her usual spirited nature she's grateful for the chance to interact with the both of them without shadows present.
On Wednesday, she thinks she has self-defense lessons but also spends a good portion of the day sprawled out in the sun at the beach. She's not usually a beach dweller and she doesn't usually sunbathe, but she thinks it's the perfect place to read through some Jules Verne. Journey to the Center of the Earth was a childhood favorite, and it makes her feel safe and nostalgic so she's grateful that the library has a copy on hand just waiting for her.
On Thursday, she spends her time out in the gardens, working on both drawing and painting. Her lessons with Whale have left her eager to continue practicing, working on a drawing of white roses which she has every intention of painting red by the end of the day. If someone happens across her, she's more than likely to grab hold of them and convince them to pose for her so she can attempt a more complicated subject.
Friday finds Clara holed up in the library, a stack of books on space piled up around her. She's sitting cross legged on the floor, and the pile of books towers above her, constantly wobbling as if they're about to topple at any given second. There's fiction, non-fiction, and even some picture books at her side. She started the day out reading for research but now has an old, worn copy of The Little Prince in hand. It brings back memories of her mother, and those are always good to hold onto when she's having a difficult time.
The rest of the weekend is spent either at the swimming pool or her room. The pool she's never really used before, so it's nice to just float around and stare up at nothing in particular. It's a funny feeling, just aimlessly floating, doing nothing for hours on end. She almost feels guilty for it, but it's a nice break from being cooped up in the library. When she's in her room she's working on painting her walls, trying to complete constellations for the night sky she's painted across every single wall. She's not much of an artist, but this has given her something to do in her time here, and the project is almost complete. There's even a little TARDIS painted right up above her bed.
no subject
"It's not impossible. Just difficult."
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But this picture would help Clara. Adam and Whale looked alike on the surface, but were very different underneath. Adam appeared physically younger, and there was a completely different look in his eyes. Adam's eyes held the weight of all the centuries he lived, the horrors and heartbreaks he experienced. An old soul, but an expressive one.
"If you have an artist's eyes, you will be able to tell me what's different in this picture."
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"And the eyes, they're obviously different. It doesn't take an artist to see that. Just someone observant. He looks like he cares about everything."
She holds up her sketch of Whale, peeking around her sketchbook. "You, on the other hand? Not so much."
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"And what is it do you think that makes me look that way?"
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"I'm a doctor and a scientist. Why would I want anything to do with magic?"
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"I didn't anger any magic users recently, but it was a good guess."
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"Is it something that's easily fixed? Please say it's that, at least."
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"Sorry, but I can't just see how you can ask me to leave it at that."
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He paused to let her absorb that before he went on. "Magic comes at a price. This is my price for using magic. I don't want you involved in it. Despite my lacking ability to show it, I do care about you, Clara. I've lost my entire family. I don't want to add you to that list, understand?"
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She's not lecturing him, she's being angry in his general direction. She thinks of him as a friend and a mentor, someone she can look up to. And then he goes and does something like this? She's still not even quite sure what this is, but it's not good, and she's now determined to reverse it.
"You said that you don't want it to be fixed. Why? What could possibly be so great about being this way?"
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"I was tired of feeling it," he said quietly. "I don't want to feel it. Maybe that makes me weak, but I don't care. The beauty of this is that I don't care about anything."
Not entirely true. He did care, he just couldn't feel it anymore.
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She's a bit offended that she still hurts from the loss of her mother and he finds it appropriate to just stop caring and feeling, hurting is a part of life that you're supposed to learn from, to become stronger by experiencing. He's cheating the system by bypassing it entirely.
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"Maybe I didn't want to be human anymore," he answered. "Maybe I wanted to be a monster. I am Victor Frankenstein, after all." He tapped her sketchpad where his image was drawn. "That's my real name, you know. Victor Frankenstein. Monsters are just part of who I am."
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So she sets her sketchbook down near her easel and charges in close to him, getting up in his space. And then she pokes at his chest roughly, before balling up her hand into a fist to hit at his arm. "I'm going to figure out a way to reverse this, and you're going to be an adult and deal with it."
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"I'm not confused, Clara. I am a monster. I certainly turned my own brother into one, and then I stood by and did nothing while he beat our father to death. And that is when I could feel something, Clara. Do you really think a man like that is worth bringing back?"
He was being cruel now, but it was better she learn now and be done with him.
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His Shadow was right about him: all he ever did was fail. So he gave up his ability to feel, so the weight of his mistakes would stop crushing him.
"Yes, I'm a coward," Whale agreed. He rose to his feet, turning away from her. "I'm going back to my room now. I think the lesson is over."
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"That's not very fair to either of us."
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"You don't have magic, so you can't fix it. I'm sorry, but that's the truth."
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"But I'm not telling you where to find it."
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"It though," she pauses, realizing something. "You said it. What is it that you're not gonna help me find?"
(no subject)