Alice Kruger ▶ Remi Briggs ▶ Jane ▶ Jane Weller (
endingpoint) wrote in
entrancelogs2017-12-01 03:07 pm
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Entry tags:
we laughed at the darkness (OTA)
Who: Jane Doe, you
Where: various
When: through the month of December
Rating: PG-PG-13 possibly
Summary: Jane hasn't left her room since she got back. Very short network post included.
Note: She may seem antisocial but she's not. New CR may take her mind off of things, and close CR might get to hear the whole story.
The Story:
[ On Monday morning, there is a short, to the point text post that goes out: ]
The tattoo parlor is closed until further notice. Sorry for the inconvenience.
[ Once that's done, Jane has to decide if she actually wants to leave the room. She hasn't since their rooms changed back after the last event, she's just moved from living room to bedroom, alternating. She can deal with everything that happened, the bounty on her head, leaving Kurt for two years to keep him and his daughter safe. What she hasn't been able to cope with well at all has been knowing that she had a daughter eighteen years ago. Jane was a teenager, but she can't remember it. She can't remember being pregnant or giving birth. Cant remember holding her daughter or memorizing her face.
All Jane knows is that she hadn't wanted to give up her child if the intel she has is to be trusted. Which means Shepherd forced Jane - then Remi - to give up her infant. But the real problem is, can she trust anything? Can she trust a man who was a master forger, someone who worked for her mother and was in her pocket? How can she know her brother isn't manipulating her, trying to make her feel something that isn't real?
How could she forget something as intimate as her child growing inside of her?
Kurt's trying to help, he's trying to soothe, but it can feel suffocating and like it's just too much at times. She knows he means well, but there are times she has to get out of the room. He can't help her, not with this, so she does begin to leave the room periodically. She goes to the bar that's quietest, not the one run by Lucifer, and not the one Sarah works at, and nurses bourbon for hours. Some days, Jane sits on the beach for long periods of time, even with the chill in the air wearing only a hoodie and pants, arms wrapped around her knees, holding herself. She doesn't feel like sparring or sketching, so wherever she goes, she's simply, quiet. The library helps with that too, to sit and be still, not even necessarily doing anything important. She can wander there and look at interesting things, let something else occupy her mind for a while.
There is one night, late, that she goes to the roof and sits, and cries. Nothing loud, nothing gut-wrenching. Just quiet tears of grief and anger, of not knowing what to believe. Of knowing once again, her life has been violated and it's either the truth or a sick mind game her brother is playing.
Eventually, though, she always goes home to Kurt, quietly slipping into bed whether it's a normal time for sleeping or not. ]
Where: various
When: through the month of December
Rating: PG-PG-13 possibly
Summary: Jane hasn't left her room since she got back. Very short network post included.
Note: She may seem antisocial but she's not. New CR may take her mind off of things, and close CR might get to hear the whole story.
The Story:
[ On Monday morning, there is a short, to the point text post that goes out: ]
The tattoo parlor is closed until further notice. Sorry for the inconvenience.
[ Once that's done, Jane has to decide if she actually wants to leave the room. She hasn't since their rooms changed back after the last event, she's just moved from living room to bedroom, alternating. She can deal with everything that happened, the bounty on her head, leaving Kurt for two years to keep him and his daughter safe. What she hasn't been able to cope with well at all has been knowing that she had a daughter eighteen years ago. Jane was a teenager, but she can't remember it. She can't remember being pregnant or giving birth. Cant remember holding her daughter or memorizing her face.
All Jane knows is that she hadn't wanted to give up her child if the intel she has is to be trusted. Which means Shepherd forced Jane - then Remi - to give up her infant. But the real problem is, can she trust anything? Can she trust a man who was a master forger, someone who worked for her mother and was in her pocket? How can she know her brother isn't manipulating her, trying to make her feel something that isn't real?
How could she forget something as intimate as her child growing inside of her?
Kurt's trying to help, he's trying to soothe, but it can feel suffocating and like it's just too much at times. She knows he means well, but there are times she has to get out of the room. He can't help her, not with this, so she does begin to leave the room periodically. She goes to the bar that's quietest, not the one run by Lucifer, and not the one Sarah works at, and nurses bourbon for hours. Some days, Jane sits on the beach for long periods of time, even with the chill in the air wearing only a hoodie and pants, arms wrapped around her knees, holding herself. She doesn't feel like sparring or sketching, so wherever she goes, she's simply, quiet. The library helps with that too, to sit and be still, not even necessarily doing anything important. She can wander there and look at interesting things, let something else occupy her mind for a while.
There is one night, late, that she goes to the roof and sits, and cries. Nothing loud, nothing gut-wrenching. Just quiet tears of grief and anger, of not knowing what to believe. Of knowing once again, her life has been violated and it's either the truth or a sick mind game her brother is playing.
Eventually, though, she always goes home to Kurt, quietly slipping into bed whether it's a normal time for sleeping or not. ]
the roof »
before the night of ray and sarah's wedding, when she and jane and ducked out to visit the rooftop, peggy might never have considered what a decent spot it could be once the sun had set and the stars were out. and since then, she's passed a few evenings with her eyes tilted upward. watching a sky she doesn't recognize.
so tonight, well after it's dark, it feels a little bit like kismet that she should find jane sitting in the space she herself had intended to occupy. and if upon her approach peggy notices the evidence of tears? well. she won't say anything about it.
not at first, at any rate. ]
'Llo -- [ a mild greeting as peggy helps herself to a chair. it's a gesture which suggests she's not here to be tentative, nor even really to give jane a choice in whether she has company or not. ] Fancy meeting you here.
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The mansion's a big place, but I think we all go to the same places to feel like we can breathe again.
[ She knew the risk since the roof tends to be a popular spot, but it's Peggy, and Jane doesn't mind her company at all. ]
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[ and it raises the question of what's got jane feeling like she can't breathe elsewhere. but still, peggy doesn't press the point. instead she folds her hands on her lap, crosses her legs at the ankles, and lets her attention shift back to the inky-black of the sky -- watching the dotting stars instead. ]
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the beach
Hey. You're not cold?
[He'll gladly hand over his own hoodie to layer over hers if she is.]
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Honestly, I didn't even realize. I'm okay, though.
[ With the cold, not so much anything else in her life. ]
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What's up?
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text
[After all this place has done, he needed something to let him put it behind him.]
And given this place and all, random person just saying that if you need to blow shit up, I can tell you a place.]
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[ She reads his next sentence and sits up a little in bed. ]
Literally, blow shit up?
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[Which might not explain it all but still.]
Literally. I tend to use grenades, but I know someone here had a rocket launcher. The closet doesn't seem to care, and no one has smited me for blowing up the maze or things in the caves. Not yet.
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He's cooked a meal, still doing that even though they have the closets. It's so late that he's put the leftovers away, though, and thinks about taking a shower. ]
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Making her way to the kitchen, she sees Kurt and stands beside him. ]
Hey. Don't put that up, I'm...I'm actually hungry.
[ Reaching out, she presses a hand to his shoulder to reach past him gently to grab a fork. ]
It smells really good.
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beach
As she approaches, he looks up to her and smiles softly, patting the fabric beside him without moving himself to make more room.]
Didn't think anyone else would be mad enough to sit out in the cold like this.
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That's why it's perfect. Well, at least I thought.
[ She's not smiling much these days, but she does look at him with a small smirk, teasing. Fitz is good company, he always has been. ]
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The Bar
He spots Jane at the bar, and sits one stool away from her and gestures toward her drink.]
Is that any good?
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Good enough. My husband really likes it, so now I like it.
[ She downs the glass, then takes the bottle back when he's done, pouring herself another. ]
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library;
Hey.
[Dan had been part-way towards putting a book away but instead approaches her with it still in his hands, giving her a small, though undeniably friendly smile.]
Y' doin' okay?
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But it takes so long for her to respond that by this point, something is obviously wrong. So, she presses her lips together and shakes her head. ]
No. I uh...had a rough trip home. That's all.
[ If he asks, if he genuinely wants to know, she'll tell him, but she can't bring herself to dump it on him right away. ]
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the roof
Besides, the nights are pleasant enough at the moment; crisp before the full onslaught of winter. It's a decent diversion on those days when Rip finds he cannot sleep, and so he's claimed a spot near to one edge, and works on putting together the pieces of what looks to be a walther ppk—
If any parts of it glowed, at any rate. Appearances from the outside aside, Rip is assembling what most would colloquially deem a laser gun.
The gun is a touch smaller than he's used to, however; he goes to test it, a simple trigger pull with no , then hisses out a curse when the hammer snaps down hard on the webbing next to his thumb. He's unaware just yet that there's anyone else nearby, not until he stands up, shakes his hands and takes a few steps to walk off the pain.
It's only then that he spies the other woman on the roof—Jane, he recalls, given the woman's role at Ray and Sarah's wedding. No doubt she's heard his little fuss by now, leaving Rip momentarily looking akin to the metaphorical deer confronted by headlights.]
--Ah. My apologies; I didn't mean to disturb you.
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You're not, it's a public space. Having gun trouble?
omg i must have lost the notif for this somehow
no worries!
or it went to my spam folder; gmail doesn't like you for some reason
rude, gmail
the rudest
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late with starbucks
When it is Jane who walks in, she stands from the couch. ]
Hey, I hope you don't mind. I just...I'm worried about you. Kurt said you've been having headaches lately.
[ Well, just the one. But she's going to play up the concerned sister-in-law card. ]
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It's not...I'm fine. You don't have to worry. He shouldn't have even bothered you with it.
[ She's a little defensive right out of the gate and tries to shake it off. ]
Sorry, it's just...the trip home wasn't great and I don't feel like company. It's not you, I promise.
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roof
So she goes up to the roof, sitting with Jane, letting her cry quietly, rubbing her back a little. ]
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How much did Kurt tell you?
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bar
Hey, I remember you. We met one time while you were drawing.
[ And then she reads the vibe and her smile fades. ]
...Are you okay?
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I remember you, too. Liv, right? I'm...I'll be okay. Eventually. Thank you for asking.
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